|From Tendu to Tadasana|
It’s no wonder that George Balanchine, the father of ballet in America as we know it, was such a stickler for tendus. Balanchine believed that if a dancer could execute a perfect tendu, then no step or combination of steps is unattainable. A battement tendu is a French word meaning to “stretch” or to “extend” and is a fundamental step in the classical ballet vocabulary where the foot is fully stretched so as to continue the line of the extended leg. Every time the foot leaves the ground, it has to be pointed!!! This is the 1st commandment of classical ballet! Otherwise, let's just face it...it's bad ballet. Tendus are the basis of all jumps, turns and all the seemingly effortless footwork seen in ballet. It can take years to perfect the tendu; in fact if you ask most highly trained professional dancers if they consider their tendus to be perfect they will undoubtedly reply: “Far from!”
Tendus are to ballet as tadasana is to yoga. The most fundamental asana in yoga is tadasana a.k.a. Mountain Pose. As the name suggests, the energy of this asana is strong and unbreakable like a mountain. In tadasana the feet are either together or slightly apart, the arms down with the palms at the sides of the body and the chest is lifted. It is important to keep the gaze soft by directing it at the tip of the nose to maintain the undisturbed energy generated by this asana. Tadasana is the blueprint for all postures in yoga because in tadasana the body is at its optimal alignment with the neck positioned over the shoulders, the shoulders stacked over the hips, the hips aligned over the knees and the knees positioned over the ankles. There's even weight distributed between the mounds of the big and little toes and the inner and outer heels. In tadasana the spine is maximally extended and not torqued. When the spine is elongated it allows for prana to flow through the body uninterrupted. When all the anatomical puzzle pieces fit together like this moving freely from one position to the next becomes second nature. The need to push, strain or overexert disappears and the risk for injury greatly diminishes. Additionally, when we successfully find this sense of ease in our yoga practice we can begin to pay less attention to the physicality of our movements and tap into their energetic quality. When this happens, many find it mentally soothing and therefore quite liberating.
Every sport, activity or art has its building blocks; but in my experience the building blocks of yoga often compliment those of ballet and in doing so provide me, “the ballerina,” a more comprehensive understanding of my body and a greater sense of physical awareness and mental clarity.